Bruce In The Daytime – T. Witz

Levels and Devils (2025) — Single A duality record: progress on one side, pressure on the other. The name frames success as a ladder you climb while dodging the same demons that show up every time momentum builds.

Brimstone Drive (Remix) (2025) — Single (with Jason Malachi) This track comes off cinematic and high-speed—like a late-night sprint through temptation and pressure. The remix angle + feature give it extra lift, turning it into a bigger, more volatile moment than the original.

Odyssey (2017) — Album (20 songs) This project reads like an origin story: a long-form body of work that plants T. Witz’s flag as both an emcee and builder. Odyssey feels exploratory and hungry—like he’s trying on flows, angles, and ideas until the voice locks in.

Blackfoot Soldiers (2025) — Single This one reads like a war-ready anthem: forward motion, grit, and a “still standing” posture. The title alone carries militant focus—no performative flexing, just mission energy.

Banged Up (2025) — Single A raw, bruised-but-moving record—more honesty than polish. It frames pain like fuel, the kind of track that hits when somebody’s rebuilding in public and not hiding the scars.

Rapper Man is a statement album—direct, structured, and made to prove a point. The title alone sets the tone: this is bars-first energy with momentum, like he’s sharpening identity and craft in real time.

Grape Juice (2020) — Album (9 songs) A tighter, cleaner listen that feels more focused—less “throw everything at the wall,” more “here’s the lane.” Grape Juice carries a smooth-but-serious vibe, like a late-night ride with confidence under the hood.

Tears (2025) — Single (with J Musiq) A more emotional cut—less ego, more weight. Tears feels like the “let it out, then get back to it” record—reflective, but not soft.